1 00:00:01,668 --> 00:00:03,086 (THUNDER CRASHING) 2 00:00:05,380 --> 00:00:08,216 RUSS: Okay, last scene. 3 00:00:08,299 --> 00:00:09,801 (LEVER CREAKING) 4 00:00:14,139 --> 00:00:17,767 (LAUGHING) Oh. 5 00:00:17,851 --> 00:00:19,436 Genius! 6 00:00:19,519 --> 00:00:22,897 Wow, Archie. I don't know why you tried to destroy this film. 7 00:00:22,981 --> 00:00:24,566 (THUNDER CRASHING) 8 00:00:25,692 --> 00:00:27,652 Oh, come on. Don't start that again. 9 00:00:27,736 --> 00:00:30,739 This film needs to be restored for future generations. 10 00:00:30,822 --> 00:00:32,282 (THUNDER RUMBLING) 11 00:00:32,365 --> 00:00:33,450 Whoa, whoa! 12 00:00:33,533 --> 00:00:34,868 What's with the personal attacks? 13 00:00:36,202 --> 00:00:37,996 You leave Laura out of this. 14 00:00:38,079 --> 00:00:40,290 How many times do I have to tell you? We're taking a mutual break. 15 00:00:40,373 --> 00:00:41,750 She'll come back. 16 00:00:41,833 --> 00:00:43,293 (THUNDER CRASHING) 17 00:00:43,376 --> 00:00:46,963 Oh, you wanna go? It's on, flat boy. 18 00:00:47,046 --> 00:00:48,089 (GRUNTING) 19 00:00:56,890 --> 00:00:59,768 Stay down, man. Come on, this isn't us. 20 00:00:59,851 --> 00:01:01,352 (THUNDER CRASHES) 21 00:01:03,646 --> 00:01:05,815 Archie? Uh, look, man. 22 00:01:05,899 --> 00:01:08,193 Things were said, it got a little heated. 23 00:01:08,276 --> 00:01:09,819 It's just the job, man. 24 00:01:09,903 --> 00:01:11,613 The pressure's getting to us. 25 00:01:11,696 --> 00:01:14,449 You'll see. The world will love your final film. 26 00:01:14,532 --> 00:01:16,284 (THUNDER CRASHES) 27 00:01:16,367 --> 00:01:17,368 Hmm? 28 00:01:18,912 --> 00:01:20,413 (SCREAMING) 29 00:01:20,497 --> 00:01:22,582 (THEME MUSIC PLAYING) 30 00:01:38,056 --> 00:01:40,016 SCOOBY-DOO: Scooby-Dooby-Doo! 31 00:01:46,689 --> 00:01:48,316 TOUR GUIDE: And to your left is the house where 32 00:01:48,399 --> 00:01:50,985 they recently filmed, I Married a Dachshund. 33 00:01:51,069 --> 00:01:54,364 Boy, did that movie put Fletcher Films in the doghouse. 34 00:01:54,447 --> 00:01:56,950 Come on, this stuff has to be scripted for you, right? 35 00:01:57,033 --> 00:02:00,453 Life isn't scripted. Let's get the real tour. 36 00:02:00,537 --> 00:02:01,621 She's right. 37 00:02:01,704 --> 00:02:03,540 (ALL SCREAMING) 38 00:02:04,541 --> 00:02:05,625 TOUR GUIDE: Unscripted! 39 00:02:05,708 --> 00:02:07,418 (ALL SCREAMING) 40 00:02:07,502 --> 00:02:09,212 Okay, here's the real deal. 41 00:02:09,295 --> 00:02:11,714 A hundred years ago, Fletcher Films silent movies 42 00:02:11,798 --> 00:02:13,550 were the pinnacle of Hollywood artistry. 43 00:02:13,633 --> 00:02:15,718 They have stood the test of time. 44 00:02:15,802 --> 00:02:17,929 Nowadays, the studio only releases garbage 45 00:02:18,012 --> 00:02:20,181 that panders to the lowest common denominator. 46 00:02:20,265 --> 00:02:22,559 Like Monkey Wearing a Suit 3. 47 00:02:23,893 --> 00:02:25,979 Yeah, like even Monkey Wearing a Suit 2, 48 00:02:26,062 --> 00:02:28,231 was a crass retread of the original. 49 00:02:28,314 --> 00:02:30,316 Such potential squandered. 50 00:02:30,400 --> 00:02:33,111 It all started to go bad when famous silent film star, 51 00:02:33,194 --> 00:02:34,863 Archie Barnes, quit the studio. 52 00:02:34,946 --> 00:02:36,656 SCOOBY-DOO: Who? 53 00:02:36,739 --> 00:02:38,741 Archie Barnes was one of the masters of the silent comedy era. 54 00:02:38,825 --> 00:02:41,244 He wrote, directed and starred in 60 movies, 55 00:02:41,327 --> 00:02:44,497 including Bonk! on the Head and the Quiet Funny Person. 56 00:02:44,581 --> 00:02:46,708 He put Fletcher Studios on the map. 57 00:02:46,791 --> 00:02:49,419 Legend has it, studio head, Frank Fletcher tampered 58 00:02:49,502 --> 00:02:51,880 with Archie's final movie, Road Tripping. 59 00:02:51,963 --> 00:02:54,132 Archie hated the film so much, he destroyed it 60 00:02:54,215 --> 00:02:55,675 before it was ever completed. 61 00:02:55,758 --> 00:02:59,304 Archie quit and was never heard from again. 62 00:02:59,387 --> 00:03:02,974 Uh, Velma, how do you know so much about Archie Barnes? 63 00:03:03,057 --> 00:03:06,519 Yeah, I never saw you as a fan of slapstick comedy. 64 00:03:06,603 --> 00:03:08,229 Or just comedy in general. 65 00:03:08,313 --> 00:03:11,733 Or even having fun in any recognizable sense of the word. 66 00:03:11,816 --> 00:03:14,277 Great comedy is about mathematical precision, 67 00:03:14,360 --> 00:03:15,612 physics and timing. 68 00:03:15,695 --> 00:03:18,448 In fact, one can't truly appreciate what's funny 69 00:03:18,531 --> 00:03:21,284 until one has thoroughly analyzed and dissected it. 70 00:03:21,367 --> 00:03:22,410 Scientifically. 71 00:03:23,453 --> 00:03:24,787 Yup, that's comedy. 72 00:03:24,871 --> 00:03:26,915 So, that was the end of Archie Barnes? 73 00:03:26,998 --> 00:03:31,502 Until recently, an archivist found Archie's legendary last movie. 74 00:03:31,586 --> 00:03:33,713 Just as he restored the last frame, 75 00:03:33,796 --> 00:03:35,757 Archie Barnes' ghost attacked him! 76 00:03:35,840 --> 00:03:38,885 It was artistic integrity from beyond the grave. 77 00:03:38,968 --> 00:03:40,970 BOTH: Artistic integrity? 78 00:03:41,054 --> 00:03:43,181 Sounds like a silent, funny mystery. 79 00:03:43,264 --> 00:03:45,058 No, it's justice! 80 00:03:45,141 --> 00:03:46,309 The only mystery is, 81 00:03:46,392 --> 00:03:48,519 why are they trying to release it? 82 00:03:48,603 --> 00:03:51,147 -Look, they're even shooting new scenes for this movie. -(BELL RINGING) 83 00:03:51,230 --> 00:03:53,691 All this studio does, is revamp old stuff. 84 00:03:53,775 --> 00:03:57,612 What happened to originality? Oh, it makes me so mad. 85 00:03:57,695 --> 00:04:00,281 You know what? That's it, I quit. 86 00:04:00,365 --> 00:04:01,366 ALL: Hmm? 87 00:04:02,075 --> 00:04:03,409 (ALL SCREAMING) 88 00:04:08,790 --> 00:04:11,084 Now, that was unscripted. 89 00:04:11,167 --> 00:04:12,835 And if you look to your right, 90 00:04:12,919 --> 00:04:14,837 -you can see Tony giving up all hope. -(TONY WAILING) 91 00:04:14,921 --> 00:04:16,839 And so, on kind of a downer note, 92 00:04:16,923 --> 00:04:18,925 that concludes our studio tour. 93 00:04:19,008 --> 00:04:20,635 And begins our mystery. 94 00:04:20,718 --> 00:04:23,012 Velma and Daphne and I will check out the archives 95 00:04:23,096 --> 00:04:24,222 where the ghost was last seen. 96 00:04:24,305 --> 00:04:26,224 Shaggy, Scooby, look for any place 97 00:04:26,307 --> 00:04:28,017 Archie's films are being shown. 98 00:04:28,101 --> 00:04:30,186 There may be a link between the ghost and all of his movies. 99 00:04:30,269 --> 00:04:33,147 I'm Daphne and I'll be your tour guide on this mystery. 100 00:04:33,231 --> 00:04:34,941 If you'll look to both your left and right, 101 00:04:35,024 --> 00:04:37,193 you'll see your fellow mystery solvers realize 102 00:04:37,276 --> 00:04:39,737 I'm not going to stop doing this. 103 00:04:39,821 --> 00:04:41,155 Can I go with them? 104 00:04:41,239 --> 00:04:43,324 (SIGHS) Fine. 105 00:04:43,408 --> 00:04:46,202 This theater plays Archie's first film Skyscraping 106 00:04:46,286 --> 00:04:47,537 on a continuous loop. 107 00:04:47,620 --> 00:04:49,288 Like, do they have a concession stand? 108 00:04:49,372 --> 00:04:51,374 We can't watch a movie without popcorn, hotdogs, 109 00:04:51,457 --> 00:04:53,209 candy, nachos, and soft pretzels! 110 00:04:53,293 --> 00:04:54,460 It's in our contracts. 111 00:04:58,089 --> 00:05:00,883 You realize this movie is only 16-minutes long. 112 00:05:00,967 --> 00:05:02,635 You won't have time to eat all... 113 00:05:07,640 --> 00:05:09,308 (SHAGGY AND SCOOBY-DOO LAUGHING) 114 00:05:18,359 --> 00:05:19,736 SCOOBY-DOO: Hmm. 115 00:05:19,819 --> 00:05:21,821 (SHAGGY AND SCOOBY-DOO GASPING) 116 00:05:21,904 --> 00:05:23,823 SCOOBY-DOO: Huh. SHAGGY: Oh, look out! 117 00:05:27,160 --> 00:05:28,661 I agree, it's amusing. 118 00:05:28,745 --> 00:05:30,580 But, this was only his first film. 119 00:05:30,663 --> 00:05:33,124 Most of these jokes are lifted directly from Isaac Newton's 120 00:05:33,207 --> 00:05:36,294 First and Third Laws of Motion from 1687. 121 00:05:39,380 --> 00:05:40,840 BOTH: Hmm? 122 00:05:40,923 --> 00:05:42,175 (BOTH CLEARING THROAT) 123 00:05:43,384 --> 00:05:45,928 (CLEARING THROAT LOUDER) 124 00:05:51,851 --> 00:05:52,935 BOTH: Hmm. 125 00:05:53,019 --> 00:05:56,397 Like, excuse me, but we can't see Archie. 126 00:05:56,481 --> 00:05:57,523 (WHIMPERING) 127 00:06:01,319 --> 00:06:03,196 -Now, we can. -Run! 128 00:06:03,279 --> 00:06:04,697 (SCREAMING) 129 00:06:13,790 --> 00:06:15,041 (LAUGHING) 130 00:06:17,960 --> 00:06:21,380 DAPHNE: We are now entering Fletcher Studios' film archive room. 131 00:06:21,464 --> 00:06:24,801 This is where people archive 132 00:06:24,884 --> 00:06:26,928 film in a room? 133 00:06:29,514 --> 00:06:30,556 (BOTH SCREAM) 134 00:06:32,016 --> 00:06:33,643 Uh, hi. 135 00:06:33,726 --> 00:06:37,814 Are we interrupting something weird? 136 00:06:37,897 --> 00:06:40,608 Who are you? Friends of yours? 137 00:06:40,691 --> 00:06:42,985 We're, uh... We're just looking into these stories 138 00:06:43,069 --> 00:06:44,695 about the ghost of Archie Barnes? 139 00:06:44,779 --> 00:06:47,198 They're not stories. It really happened. 140 00:06:47,281 --> 00:06:48,991 We were there. 141 00:06:49,075 --> 00:06:51,619 He attacked me because he doesn't want anyone to see that film. 142 00:06:51,702 --> 00:06:53,079 It's cursed. 143 00:06:53,162 --> 00:06:54,997 Ray Fletcher, the studio head, insisted I transfer 144 00:06:55,081 --> 00:06:56,999 this footage so he could finish that film 145 00:06:57,083 --> 00:06:58,543 and finally share it with the world. 146 00:06:58,626 --> 00:07:01,170 But I say anyone foolish enough to watch that movie 147 00:07:01,254 --> 00:07:03,005 gets what they deserve. Right? 148 00:07:03,548 --> 00:07:04,882 See? 149 00:07:04,966 --> 00:07:07,051 Yeah. 150 00:07:07,135 --> 00:07:09,345 So, where did you find the film to begin with? 151 00:07:09,428 --> 00:07:12,014 We discovered this trunk in the old prop warehouse. 152 00:07:12,098 --> 00:07:14,684 Inside is what Archie left in his office when he quit. 153 00:07:14,767 --> 00:07:16,602 Including his last damaged film. 154 00:07:21,691 --> 00:07:23,693 FRED: This must be Archie's notebook. 155 00:07:23,776 --> 00:07:26,904 It shows, in his own hand, how he worked out the stunts and visual effects 156 00:07:26,988 --> 00:07:28,197 for all his films. 157 00:07:28,281 --> 00:07:30,032 Amazing, isn't it? 158 00:07:30,116 --> 00:07:33,327 You may be a violent monster, Archie, but you're also a genius. 159 00:07:34,495 --> 00:07:36,831 You take that back. (GRUNTS) 160 00:07:36,914 --> 00:07:39,500 And if you look to your right... Wow! 161 00:07:39,584 --> 00:07:41,419 Uh, actually, no. Don't look to your right. 162 00:07:41,502 --> 00:07:43,671 Uh, Film Archive tour is over! 163 00:07:45,464 --> 00:07:47,383 And now, we come to the part of our tour 164 00:07:47,466 --> 00:07:49,177 where we collide with our friends. 165 00:07:49,260 --> 00:07:50,845 (ALL GRUNTING) 166 00:07:50,928 --> 00:07:52,388 What happened to you guys? 167 00:07:52,471 --> 00:07:53,973 Like, we saw an Archie Barnes movie 168 00:07:54,056 --> 00:07:55,224 followed by the sequel, 169 00:07:55,308 --> 00:07:58,060 Archie Barnes 2 Horrifying Ghost Attack. 170 00:07:58,144 --> 00:08:00,730 They ruined the franchise. 171 00:08:00,813 --> 00:08:03,107 I've studied Archie Barnes and I gotta say 172 00:08:03,191 --> 00:08:06,569 the ghost looked, moved and didn't talk just like him. 173 00:08:06,652 --> 00:08:08,237 -Hmm. -(RATTLING) 174 00:08:08,905 --> 00:08:09,906 Hmm? 175 00:08:15,244 --> 00:08:16,412 Hey, watch out! 176 00:08:19,790 --> 00:08:21,125 (PIANO KEYS POUNDING DISCORDANTLY) 177 00:08:22,001 --> 00:08:24,003 That was close. 178 00:08:24,086 --> 00:08:27,882 Lucky for you, I've developed an almost superhuman awareness of my surroundings. 179 00:08:27,965 --> 00:08:29,091 DIRECTOR: Cut! 180 00:08:29,175 --> 00:08:30,843 CREW MEMBER: Man, that was the 80th take! 181 00:08:32,011 --> 00:08:34,764 (LAUGHING) Get off me. Novice. 182 00:08:34,847 --> 00:08:37,099 Who are you supposed to be? Super ascot man? 183 00:08:37,183 --> 00:08:38,935 Is this another Ray Fletcher rewrite? 184 00:08:39,018 --> 00:08:40,937 -Ray Fletcher? -Yeah. 185 00:08:41,020 --> 00:08:43,606 As in Fletcher Studios. The guy who owns this place and whose bright ideas 186 00:08:43,689 --> 00:08:45,233 are currently ruining my movie. 187 00:08:45,316 --> 00:08:47,902 I'm sorry. I saw the woman and the piano and... 188 00:08:47,985 --> 00:08:51,530 (GROANS) Someone get me Ray on the phone. And where's my latte? 189 00:08:51,614 --> 00:08:55,368 And there, storming away, is up-and-coming director Lori Logan, 190 00:08:55,451 --> 00:08:58,162 in front of whom Fred just humiliated himself. 191 00:08:58,246 --> 00:08:59,747 -She must be directing... -Badly. 192 00:08:59,830 --> 00:09:01,624 She must be directing the new scenes for Archie's 193 00:09:01,707 --> 00:09:03,459 unfinished film, Road Tripping. 194 00:09:03,543 --> 00:09:06,045 You know, they recovered that film in the old prop warehouse. 195 00:09:06,128 --> 00:09:07,713 Let's check it out for clues. 196 00:09:13,177 --> 00:09:19,308 VELMA: Amazing! These props and sets go back to the golden age of silent movies. 197 00:09:19,392 --> 00:09:20,643 Hmm. 198 00:09:20,726 --> 00:09:22,144 May I direct your attention to the way 199 00:09:22,228 --> 00:09:24,355 they treat these gorgeous old costumes? 200 00:09:24,438 --> 00:09:26,440 Looks like my high school bedroom. 201 00:09:26,524 --> 00:09:28,067 (ALL GASPING) 202 00:09:28,150 --> 00:09:30,403 And now, we come to the screamy part of the tour. 203 00:09:30,486 --> 00:09:31,696 (SCREAMING) 204 00:09:35,491 --> 00:09:36,617 Run! 205 00:09:39,662 --> 00:09:40,705 (SCREAMING) 206 00:09:41,497 --> 00:09:42,707 SCOOBY-DOO: Shaggy! 207 00:09:49,588 --> 00:09:50,756 Whoa! 208 00:09:52,967 --> 00:09:54,010 (SHAGGY YELPS) 209 00:09:54,093 --> 00:09:55,720 (WHIMPERING) 210 00:09:57,263 --> 00:09:58,681 SHAGGY: Cut! 211 00:09:58,764 --> 00:10:00,683 Like, this is not how we rehearsed this scene, Archie. 212 00:10:00,766 --> 00:10:04,770 Decades of lifelessness is no excuse for a lack of professionalism. 213 00:10:04,854 --> 00:10:09,025 Script! It's simple. Your character is a pharaoh, groom, ballerina, 214 00:10:09,108 --> 00:10:11,736 baseball player, Arctic-explorer carrot 215 00:10:11,819 --> 00:10:16,198 who's come to jail on the moon in a pet store 216 00:10:16,282 --> 00:10:17,992 in the middle of the ocean 217 00:10:18,075 --> 00:10:21,829 in a log cabin in a dentist office 218 00:10:21,912 --> 00:10:27,460 to confront, the reverse mermaid, judge, ancient Roman cowboy 219 00:10:27,543 --> 00:10:29,295 who has stolen your... 220 00:10:29,378 --> 00:10:30,463 Grape! 221 00:10:30,546 --> 00:10:33,049 See! A story as old as time itself. 222 00:10:33,132 --> 00:10:37,386 Now, let's see your, "I'm so angry without my grape," face. 223 00:10:38,637 --> 00:10:40,556 Now that is what I call, grape anger. 224 00:10:40,639 --> 00:10:44,727 Okay, everyone, let's try this again. From the beginning. 225 00:10:44,810 --> 00:10:46,812 You go backstage and wait for your cue, which is, 226 00:10:46,896 --> 00:10:49,398 "Quick, let's get out of here before he figures out this whole thing 227 00:10:49,482 --> 00:10:51,567 "has been a ruse to allow us to escape." 228 00:10:51,650 --> 00:10:52,693 (SHAGGY YELLS) 229 00:10:58,783 --> 00:10:59,825 (INAUDIBLE) 230 00:11:02,370 --> 00:11:04,413 (PANTING) 231 00:11:04,497 --> 00:11:07,708 DAPHNE: And if you look to your left, you can't see us. 232 00:11:07,792 --> 00:11:10,628 -(BOTH GASPING) -Like, don't do that. 233 00:11:10,711 --> 00:11:12,588 (WHINES) I lost the grape. 234 00:11:12,671 --> 00:11:16,884 Guys, keep it down. I don't think we're allowed to be here after hours. 235 00:11:16,967 --> 00:11:19,220 The last thing we need is for someone to ask us... 236 00:11:19,303 --> 00:11:20,721 Who are you and what are you doing here? 237 00:11:20,805 --> 00:11:23,015 Now, this is a special treat! 238 00:11:23,099 --> 00:11:25,184 Standing right in front of us is Ray Fletcher, 239 00:11:25,267 --> 00:11:29,271 the owner of Fletcher Studios, and... 240 00:11:29,355 --> 00:11:31,732 Uh, this is Charlie Dairy, my right hand. 241 00:11:31,816 --> 00:11:35,319 And Charlie Dairy, which is a special treat for our right hands. 242 00:11:35,403 --> 00:11:38,322 We heard you found Archie Barnes' legendary last film. 243 00:11:38,406 --> 00:11:40,950 I'm on my way to the editorial building to see it now. 244 00:11:41,033 --> 00:11:42,701 I think it could be our next big hit. 245 00:11:42,785 --> 00:11:47,164 Of course, we had no choice but to give it some updates. 246 00:11:47,248 --> 00:11:50,084 Uh, Ray, we really should check in with Lori Logan first. 247 00:11:50,167 --> 00:11:52,086 She's having some issues with those 248 00:11:52,169 --> 00:11:53,963 updates you've requested. 249 00:11:54,046 --> 00:11:56,882 Oh, she's impossible. It's nothing we can't fix by adding a few... 250 00:11:56,966 --> 00:11:59,510 Uh, what's those things that kids are into these days? 251 00:11:59,593 --> 00:12:01,262 Health, hope and a secure future? 252 00:12:01,345 --> 00:12:03,973 Education, environmental solutions, love? 253 00:12:04,056 --> 00:12:06,684 No, those remote whirly-gig things! 254 00:12:06,767 --> 00:12:09,895 -Quadcopters. -Quadcopters, exactly! 255 00:12:09,979 --> 00:12:11,480 The grandkids love them! 256 00:12:11,564 --> 00:12:13,482 (IMITATES WHIRRING) 257 00:12:14,525 --> 00:12:17,194 (LAUGHS) You kids enjoy the tour. 258 00:12:17,278 --> 00:12:18,404 (CHUCKLES) 259 00:12:18,487 --> 00:12:20,072 Wow, Ray and Lori are really at odds 260 00:12:20,156 --> 00:12:21,866 on how to handle Archie's last movie. 261 00:12:21,949 --> 00:12:24,493 I wonder what other modernizations he's trying to make. 262 00:12:24,577 --> 00:12:26,662 There's only one way to find out. 263 00:12:29,039 --> 00:12:31,459 We are now in the editorial building. 264 00:12:31,542 --> 00:12:33,294 On your left and right, 265 00:12:33,377 --> 00:12:34,712 are all the possible screening rooms, that might be showing 266 00:12:34,795 --> 00:12:35,880 Archie's last movie. 267 00:12:36,755 --> 00:12:37,798 (TAPPING) 268 00:12:37,882 --> 00:12:39,550 I think I hear something in this one. 269 00:12:41,427 --> 00:12:44,513 Ray, this is Archie Barnes' final masterpiece. 270 00:12:44,597 --> 00:12:46,515 All this stuff you're adding just kills it. 271 00:12:46,599 --> 00:12:49,143 What are you talking about? Kids are gonna love it. 272 00:12:49,226 --> 00:12:51,020 If we ever finish it. 273 00:12:51,103 --> 00:12:53,022 Now there's rumors that Archie's ghost is haunting the production. 274 00:12:53,105 --> 00:12:55,524 He always did have to be the center of attention. 275 00:12:55,608 --> 00:12:56,775 Psst! 276 00:12:56,859 --> 00:12:58,861 I think this is the Road Tripping edit bay. 277 00:12:58,944 --> 00:13:00,571 I bet we can see it in here. 278 00:13:03,741 --> 00:13:07,411 Russ, the archivist, said he sent Ray a digital copy of the film. 279 00:13:07,495 --> 00:13:09,205 Ha! There. 280 00:13:09,288 --> 00:13:11,582 FRED: "Road Tripping Cursed Version slash You're All Doomed." 281 00:13:11,665 --> 00:13:12,708 That must be it. 282 00:13:12,791 --> 00:13:14,877 Got it. Opening file... 283 00:13:14,960 --> 00:13:16,378 (SLURPING NOISES) 284 00:13:16,462 --> 00:13:19,089 It's in our contracts. 285 00:13:19,173 --> 00:13:21,842 We're about to become the first people in history 286 00:13:21,926 --> 00:13:23,928 to watch Archie Barnes' last movie 287 00:13:24,011 --> 00:13:26,931 and supposed masterpiece, Road Tripping. 288 00:13:30,935 --> 00:13:33,896 Okay, I just felt the pilomotor reflex. 289 00:13:34,605 --> 00:13:35,648 Goosebumps. 290 00:13:35,731 --> 00:13:37,608 (MUSIC PLAYING ON COMPUTER) 291 00:13:41,237 --> 00:13:42,530 (INAUDIBLE) 292 00:13:44,490 --> 00:13:46,075 So far, so good. 293 00:13:47,826 --> 00:13:48,869 (EXPLOSION) 294 00:13:49,870 --> 00:13:50,913 (INAUDIBLE) 295 00:14:01,757 --> 00:14:03,342 (ELECTRONIC MUSIC PLAYING) 296 00:14:24,530 --> 00:14:28,450 Uh, okay. Now I just felt the gag reflex. 297 00:14:28,534 --> 00:14:31,287 Like, that was 298 00:14:32,037 --> 00:14:32,955 awesome! 299 00:14:33,038 --> 00:14:34,957 Still needs some quadcopters. 300 00:14:35,040 --> 00:14:36,041 Hmm? 301 00:14:38,002 --> 00:14:40,296 -(WHINING) -I know, Scoob, quadcopters! 302 00:14:40,379 --> 00:14:42,631 But otherwise, I think it's his best work. 303 00:14:42,715 --> 00:14:44,967 Great, tell him that. 304 00:14:45,050 --> 00:14:46,468 (SCREAMING) 305 00:14:49,221 --> 00:14:50,180 Run! 306 00:14:50,264 --> 00:14:51,599 (PUNK ROCK MUSIC) 307 00:14:51,682 --> 00:14:54,268 ♪ Two, three, four 308 00:14:54,351 --> 00:14:56,478 ♪ Two, three, four 309 00:14:56,562 --> 00:14:57,813 (TIRES SCREECHING) 310 00:14:59,106 --> 00:15:00,524 ♪ Two, three, four 311 00:15:11,118 --> 00:15:13,621 ♪ Left all away 312 00:15:13,704 --> 00:15:16,206 ♪ Been here for too long 313 00:15:16,290 --> 00:15:18,250 ♪ We ain't gonna stand for it 314 00:15:18,334 --> 00:15:20,628 ♪ Baby, now 315 00:15:20,711 --> 00:15:21,754 Cut! 316 00:15:21,837 --> 00:15:24,798 ♪ A rags to riches story 317 00:15:24,882 --> 00:15:26,634 ♪ I don't have to worry 318 00:15:26,717 --> 00:15:29,303 ♪ A rags to riches story 319 00:15:29,386 --> 00:15:31,805 ♪ I don't have to worry 320 00:15:32,806 --> 00:15:35,476 ♪ I don't have to worry 321 00:15:42,316 --> 00:15:43,901 ♪ Two, three, four 322 00:15:51,617 --> 00:15:54,244 ♪ A rags to riches story 323 00:15:54,328 --> 00:15:56,872 ♪ I don't have to worry 324 00:15:56,955 --> 00:15:59,583 ♪ A rags to riches story 325 00:15:59,667 --> 00:16:02,670 ♪ On your path to glory 326 00:16:02,753 --> 00:16:04,838 ♪ Path to glory 327 00:16:04,922 --> 00:16:06,840 ♪ Hey, hey, hey ♪ 328 00:16:07,966 --> 00:16:08,967 (THUDS) 329 00:16:11,804 --> 00:16:16,058 Like, great, isn't this the set of that sitcom, Monkey Gets a Show Now 330 00:16:16,141 --> 00:16:17,559 that just got canceled? 331 00:16:17,643 --> 00:16:20,646 Yeah, it looks like this mystery just got canceled as well. 332 00:16:20,729 --> 00:16:24,900 Sorry, gang, we started out in an exciting action adventure mystery 333 00:16:24,983 --> 00:16:27,861 and ended up in a failed situation comedy. 334 00:16:27,945 --> 00:16:30,656 (CANNED LAUGHTER PLAYING) 335 00:16:33,659 --> 00:16:35,411 (AUDIENCE GASPING) 336 00:16:35,494 --> 00:16:37,996 I can't believe it. Once that movie gets out, 337 00:16:38,080 --> 00:16:40,916 this historic studio will go down the drain. 338 00:16:40,999 --> 00:16:44,253 Along with the reputation of the great Archie Barnes. 339 00:16:44,336 --> 00:16:46,171 Well, you gotta give Archie credit for going 340 00:16:46,255 --> 00:16:49,299 to such great lengths to prevent that movie from coming out. 341 00:16:49,383 --> 00:16:52,302 After all, your reputation outlives you. 342 00:16:52,386 --> 00:16:55,472 I can only hope, one day, people look back at me and say... 343 00:16:55,556 --> 00:16:59,184 Wait, Daphne. That's it. That's the key to this mystery. 344 00:16:59,268 --> 00:17:00,936 ALL: Huh? 345 00:17:01,019 --> 00:17:03,439 Fred, you're right! We've been looking in the wrong direction 346 00:17:03,522 --> 00:17:06,316 -the whole time. -Hmm... 347 00:17:06,400 --> 00:17:09,028 Hey, what do you want from me? It was my first tour. 348 00:17:09,111 --> 00:17:11,447 Gang, this mystery isn't wrapped yet. 349 00:17:11,530 --> 00:17:13,490 We have a ghost to catch. 350 00:17:13,574 --> 00:17:15,951 Ladies and gentlemen, fasten your seatbelts. 351 00:17:16,034 --> 00:17:18,287 We're about to enter, The Trap. 352 00:17:24,126 --> 00:17:28,464 Wow, I can't believe we get to watch the never before seen Archie Barnes film. 353 00:17:28,547 --> 00:17:29,965 It was worth the wait. 354 00:17:41,059 --> 00:17:44,062 -Excuse us. Excuse us. -Pardon us. Pardon us. 355 00:17:46,565 --> 00:17:47,816 (FANFARE PLAYING) 356 00:17:50,736 --> 00:17:52,196 (MUNCHING) 357 00:17:57,868 --> 00:17:58,869 BOTH: Hmm? 358 00:18:02,414 --> 00:18:05,876 Like, I guess he doesn't like what they've done with this movie, either. 359 00:18:05,959 --> 00:18:07,920 Attacking is a valid criticism. 360 00:18:15,177 --> 00:18:16,178 (YELPS) 361 00:18:17,930 --> 00:18:19,139 (WHIMPERING) 362 00:18:22,267 --> 00:18:23,310 (SCREAMING) 363 00:18:25,312 --> 00:18:28,524 Come on, Archie. Your calculations have to be perfect. 364 00:18:28,607 --> 00:18:29,691 I have faith in you. 365 00:18:31,860 --> 00:18:33,487 Almost there. 366 00:18:35,280 --> 00:18:36,657 (BOTH WHIMPERING) 367 00:18:38,951 --> 00:18:39,952 BOTH: Now! 368 00:18:43,455 --> 00:18:44,498 (GRUNTING) 369 00:18:54,007 --> 00:18:56,718 Mathematical precision, physics and timing. 370 00:18:56,802 --> 00:18:58,720 Way to go, Archie! 371 00:18:58,804 --> 00:19:00,556 Can we open our eyes yet? 372 00:19:00,639 --> 00:19:01,807 Was it funny? 373 00:19:04,935 --> 00:19:06,103 So I've been meaning to ask, 374 00:19:06,186 --> 00:19:08,146 how is it handcuffs work on ghosts? 375 00:19:08,230 --> 00:19:10,732 Good question, if it was a ghost. 376 00:19:12,025 --> 00:19:14,111 ALL: Lori Logan? 377 00:19:14,194 --> 00:19:15,320 Lori, what is this? 378 00:19:15,404 --> 00:19:17,739 Are you pitching an Archie Barnes biopic? 379 00:19:17,823 --> 00:19:19,783 No, but as an aside, 380 00:19:19,867 --> 00:19:21,326 I'd see that movie. 381 00:19:23,370 --> 00:19:25,414 Lori Logan is a talented young director 382 00:19:25,497 --> 00:19:27,416 with a reputation for quality movies. 383 00:19:27,499 --> 00:19:30,168 Being an Archie Barnes fan, she was thrilled to be chosen 384 00:19:30,252 --> 00:19:31,503 to complete his final film. 385 00:19:31,587 --> 00:19:33,755 But Ray Fletcher got too involved, 386 00:19:33,839 --> 00:19:35,549 forcing his ideas into her movie. 387 00:19:35,632 --> 00:19:37,801 She thought the film would be the end of her career. 388 00:19:37,885 --> 00:19:41,346 VELMA: Lori knew the legend of Frank Fletcher ruining Archie's last film. 389 00:19:41,430 --> 00:19:43,807 She could relate a little too much. 390 00:19:43,891 --> 00:19:45,976 Lori decided to use his legend to make sure 391 00:19:46,059 --> 00:19:47,978 her movie never saw the light of day, 392 00:19:48,061 --> 00:19:51,648 even if it meant ruining Fletcher Studios in the process. 393 00:19:51,732 --> 00:19:54,109 DAPHNE: Archie's film was found in the prop warehouse 394 00:19:54,192 --> 00:19:56,612 where Lori also found Archie's trademark costume 395 00:19:56,695 --> 00:20:00,198 and where we found evidence someone had rifled through the wardrobe trunks. 396 00:20:00,282 --> 00:20:03,493 But it takes more than clothes to make a man like Archie Barnes. 397 00:20:03,577 --> 00:20:07,080 VELMA: To be believable, Lori had to do physical comedy stunts. 398 00:20:07,164 --> 00:20:09,625 That's why she chased Russ out of the archive room. 399 00:20:09,708 --> 00:20:12,961 We assumed it was Archie's revenge for restoring his film. 400 00:20:13,045 --> 00:20:15,672 But really, Lori wanted to see Archie's notebook 401 00:20:15,756 --> 00:20:17,799 to learn how he did his stunts. 402 00:20:17,883 --> 00:20:21,720 At first, we thought the ghost was connected to the discovery of Archie's film. 403 00:20:21,803 --> 00:20:25,474 When Daphne mentioned how far Archie went to make sure his studio-tampered film 404 00:20:25,557 --> 00:20:26,683 would never be seen, 405 00:20:26,767 --> 00:20:28,644 we were reminded of another director 406 00:20:28,727 --> 00:20:30,687 who was in the same situation. 407 00:20:30,771 --> 00:20:33,482 The only way to be sure was to do the very thing Lori was trying to avoid. 408 00:20:33,565 --> 00:20:35,567 Show people her movie. 409 00:20:35,651 --> 00:20:37,653 Ironically, thanks to Archie Barnes 410 00:20:37,736 --> 00:20:39,279 and his scientific approach to humor, 411 00:20:39,363 --> 00:20:41,907 we were able to catch Lori in the act. 412 00:20:41,990 --> 00:20:43,825 My film would have been great too, 413 00:20:43,909 --> 00:20:45,869 if it wasn't for you meddling with it. 414 00:20:45,953 --> 00:20:49,498 And if you take a look to your future, jail. 415 00:20:49,581 --> 00:20:52,125 Thank you, kids. You know, I should have learned from 416 00:20:52,209 --> 00:20:53,335 my grandfather's mistakes, 417 00:20:53,418 --> 00:20:54,461 instead of repeating them. 418 00:20:54,544 --> 00:20:55,879 How can I ever repay you? 419 00:20:55,963 --> 00:20:59,007 Actually, I'd love to study Archie's notebook. 420 00:20:59,091 --> 00:21:00,217 May I borrow it? 421 00:21:00,300 --> 00:21:01,718 As long as I am still in charge 422 00:21:01,802 --> 00:21:04,346 of making horrible decisions, you can have it. 423 00:21:04,429 --> 00:21:06,264 Thank you, Mr. Fletcher. 424 00:21:06,348 --> 00:21:10,352 Velma, I apologize for what I said about you not appreciating comedy. 425 00:21:10,435 --> 00:21:12,688 I see now by totally disengaging from it 426 00:21:12,771 --> 00:21:14,606 on an emotional and visceral level 427 00:21:14,690 --> 00:21:16,358 and breaking it down scientifically, 428 00:21:16,441 --> 00:21:18,568 until all the life has been sucked out of it, 429 00:21:18,652 --> 00:21:20,404 you understand what's funny on a level 430 00:21:20,487 --> 00:21:22,698 the rest of us aren't even capable of. 431 00:21:22,781 --> 00:21:24,616 Is that a joke? 432 00:21:24,700 --> 00:21:25,742 You tell me.