1
00:00:01,668 --> 00:00:03,086
(THUNDER CRASHING)
2
00:00:05,380 --> 00:00:08,216
RUSS: Okay, last scene.
3
00:00:08,299 --> 00:00:09,801
(LEVER CREAKING)
4
00:00:14,139 --> 00:00:17,767
(LAUGHING) Oh.
5
00:00:17,851 --> 00:00:19,436
Genius!
6
00:00:19,519 --> 00:00:22,897
Wow, Archie.
I don't know why you tried
to destroy this film.
7
00:00:22,981 --> 00:00:24,566
(THUNDER CRASHING)
8
00:00:25,692 --> 00:00:27,652
Oh, come on.
Don't start that again.
9
00:00:27,736 --> 00:00:30,739
This film needs to be restored
for future generations.
10
00:00:30,822 --> 00:00:32,282
(THUNDER RUMBLING)
11
00:00:32,365 --> 00:00:33,450
Whoa, whoa!
12
00:00:33,533 --> 00:00:34,868
What's with
the personal attacks?
13
00:00:36,202 --> 00:00:37,996
You leave Laura out of this.
14
00:00:38,079 --> 00:00:40,290
How many times
do I have to tell you?
We're taking a mutual break.
15
00:00:40,373 --> 00:00:41,750
She'll come back.
16
00:00:41,833 --> 00:00:43,293
(THUNDER CRASHING)
17
00:00:43,376 --> 00:00:46,963
Oh, you wanna go?
It's on, flat boy.
18
00:00:47,046 --> 00:00:48,089
(GRUNTING)
19
00:00:56,890 --> 00:00:59,768
Stay down, man.
Come on, this isn't us.
20
00:00:59,851 --> 00:01:01,352
(THUNDER CRASHES)
21
00:01:03,646 --> 00:01:05,815
Archie? Uh, look, man.
22
00:01:05,899 --> 00:01:08,193
Things were said,
it got a little heated.
23
00:01:08,276 --> 00:01:09,819
It's just the job, man.
24
00:01:09,903 --> 00:01:11,613
The pressure's getting to us.
25
00:01:11,696 --> 00:01:14,449
You'll see. The world
will love your final film.
26
00:01:14,532 --> 00:01:16,284
(THUNDER CRASHES)
27
00:01:16,367 --> 00:01:17,368
Hmm?
28
00:01:18,912 --> 00:01:20,413
(SCREAMING)
29
00:01:20,497 --> 00:01:22,582
(THEME MUSIC PLAYING)
30
00:01:38,056 --> 00:01:40,016
SCOOBY-DOO: Scooby-Dooby-Doo!
31
00:01:46,689 --> 00:01:48,316
TOUR GUIDE: And to your left
is the house where
32
00:01:48,399 --> 00:01:50,985
they recently filmed,
I Married a Dachshund.
33
00:01:51,069 --> 00:01:54,364
Boy, did that movie put
Fletcher Films
in the doghouse.
34
00:01:54,447 --> 00:01:56,950
Come on, this stuff has
to be scripted for you, right?
35
00:01:57,033 --> 00:02:00,453
Life isn't scripted.
Let's get the real tour.
36
00:02:00,537 --> 00:02:01,621
She's right.
37
00:02:01,704 --> 00:02:03,540
(ALL SCREAMING)
38
00:02:04,541 --> 00:02:05,625
TOUR GUIDE: Unscripted!
39
00:02:05,708 --> 00:02:07,418
(ALL SCREAMING)
40
00:02:07,502 --> 00:02:09,212
Okay, here's the real deal.
41
00:02:09,295 --> 00:02:11,714
A hundred years ago,
Fletcher Films silent movies
42
00:02:11,798 --> 00:02:13,550
were the pinnacle of
Hollywood artistry.
43
00:02:13,633 --> 00:02:15,718
They have stood
the test of time.
44
00:02:15,802 --> 00:02:17,929
Nowadays, the studio only
releases garbage
45
00:02:18,012 --> 00:02:20,181
that panders to the lowest
common denominator.
46
00:02:20,265 --> 00:02:22,559
Like Monkey Wearing a Suit 3.
47
00:02:23,893 --> 00:02:25,979
Yeah, like even
Monkey Wearing a Suit 2,
48
00:02:26,062 --> 00:02:28,231
was a crass retread
of the original.
49
00:02:28,314 --> 00:02:30,316
Such potential squandered.
50
00:02:30,400 --> 00:02:33,111
It all started to go bad
when famous silent film star,
51
00:02:33,194 --> 00:02:34,863
Archie Barnes,
quit the studio.
52
00:02:34,946 --> 00:02:36,656
SCOOBY-DOO: Who?
53
00:02:36,739 --> 00:02:38,741
Archie Barnes
was one of the masters
of the silent comedy era.
54
00:02:38,825 --> 00:02:41,244
He wrote, directed
and starred in 60 movies,
55
00:02:41,327 --> 00:02:44,497
including Bonk! on the Head
and the Quiet Funny Person.
56
00:02:44,581 --> 00:02:46,708
He put Fletcher Studios
on the map.
57
00:02:46,791 --> 00:02:49,419
Legend has it, studio head,
Frank Fletcher tampered
58
00:02:49,502 --> 00:02:51,880
with Archie's final movie,
Road Tripping.
59
00:02:51,963 --> 00:02:54,132
Archie hated the film so much,
he destroyed it
60
00:02:54,215 --> 00:02:55,675
before it was ever completed.
61
00:02:55,758 --> 00:02:59,304
Archie quit and was never
heard from again.
62
00:02:59,387 --> 00:03:02,974
Uh, Velma, how do you know
so much about Archie Barnes?
63
00:03:03,057 --> 00:03:06,519
Yeah, I never saw you as a fan
of slapstick comedy.
64
00:03:06,603 --> 00:03:08,229
Or just comedy in general.
65
00:03:08,313 --> 00:03:11,733
Or even having fun
in any recognizable sense
of the word.
66
00:03:11,816 --> 00:03:14,277
Great comedy is about
mathematical precision,
67
00:03:14,360 --> 00:03:15,612
physics and timing.
68
00:03:15,695 --> 00:03:18,448
In fact, one can't truly
appreciate what's funny
69
00:03:18,531 --> 00:03:21,284
until one has thoroughly
analyzed and dissected it.
70
00:03:21,367 --> 00:03:22,410
Scientifically.
71
00:03:23,453 --> 00:03:24,787
Yup, that's comedy.
72
00:03:24,871 --> 00:03:26,915
So, that was the end
of Archie Barnes?
73
00:03:26,998 --> 00:03:31,502
Until recently,
an archivist found Archie's
legendary last movie.
74
00:03:31,586 --> 00:03:33,713
Just as he restored
the last frame,
75
00:03:33,796 --> 00:03:35,757
Archie Barnes'
ghost attacked him!
76
00:03:35,840 --> 00:03:38,885
It was artistic integrity
from beyond the grave.
77
00:03:38,968 --> 00:03:40,970
BOTH: Artistic integrity?
78
00:03:41,054 --> 00:03:43,181
Sounds like a silent,
funny mystery.
79
00:03:43,264 --> 00:03:45,058
No, it's justice!
80
00:03:45,141 --> 00:03:46,309
The only mystery is,
81
00:03:46,392 --> 00:03:48,519
why are they trying
to release it?
82
00:03:48,603 --> 00:03:51,147
-Look, they're even shooting
new scenes for this movie.
-(BELL RINGING)
83
00:03:51,230 --> 00:03:53,691
All this studio does,
is revamp old stuff.
84
00:03:53,775 --> 00:03:57,612
What happened to originality?
Oh, it makes me so mad.
85
00:03:57,695 --> 00:04:00,281
You know what?
That's it, I quit.
86
00:04:00,365 --> 00:04:01,366
ALL: Hmm?
87
00:04:02,075 --> 00:04:03,409
(ALL SCREAMING)
88
00:04:08,790 --> 00:04:11,084
Now, that was unscripted.
89
00:04:11,167 --> 00:04:12,835
And if you look to your right,
90
00:04:12,919 --> 00:04:14,837
-you can see Tony
giving up all hope.
-(TONY WAILING)
91
00:04:14,921 --> 00:04:16,839
And so,
on kind of a downer note,
92
00:04:16,923 --> 00:04:18,925
that concludes
our studio tour.
93
00:04:19,008 --> 00:04:20,635
And begins our mystery.
94
00:04:20,718 --> 00:04:23,012
Velma and Daphne and I
will check out the archives
95
00:04:23,096 --> 00:04:24,222
where the ghost was last seen.
96
00:04:24,305 --> 00:04:26,224
Shaggy, Scooby,
look for any place
97
00:04:26,307 --> 00:04:28,017
Archie's films
are being shown.
98
00:04:28,101 --> 00:04:30,186
There may be a link
between the ghost
and all of his movies.
99
00:04:30,269 --> 00:04:33,147
I'm Daphne
and I'll be your tour guide
on this mystery.
100
00:04:33,231 --> 00:04:34,941
If you'll look to both
your left and right,
101
00:04:35,024 --> 00:04:37,193
you'll see your fellow
mystery solvers realize
102
00:04:37,276 --> 00:04:39,737
I'm not going to stop
doing this.
103
00:04:39,821 --> 00:04:41,155
Can I go with them?
104
00:04:41,239 --> 00:04:43,324
(SIGHS) Fine.
105
00:04:43,408 --> 00:04:46,202
This theater plays
Archie's first film
Skyscraping
106
00:04:46,286 --> 00:04:47,537
on a continuous loop.
107
00:04:47,620 --> 00:04:49,288
Like, do they have
a concession stand?
108
00:04:49,372 --> 00:04:51,374
We can't watch a movie without
popcorn, hotdogs,
109
00:04:51,457 --> 00:04:53,209
candy, nachos,
and soft pretzels!
110
00:04:53,293 --> 00:04:54,460
It's in our contracts.
111
00:04:58,089 --> 00:05:00,883
You realize this movie is only
16-minutes long.
112
00:05:00,967 --> 00:05:02,635
You won't have time
to eat all...
113
00:05:07,640 --> 00:05:09,308
(SHAGGY AND
SCOOBY-DOO LAUGHING)
114
00:05:18,359 --> 00:05:19,736
SCOOBY-DOO: Hmm.
115
00:05:19,819 --> 00:05:21,821
(SHAGGY AND
SCOOBY-DOO GASPING)
116
00:05:21,904 --> 00:05:23,823
SCOOBY-DOO: Huh.
SHAGGY: Oh, look out!
117
00:05:27,160 --> 00:05:28,661
I agree, it's amusing.
118
00:05:28,745 --> 00:05:30,580
But, this was
only his first film.
119
00:05:30,663 --> 00:05:33,124
Most of these jokes are lifted
directly from Isaac Newton's
120
00:05:33,207 --> 00:05:36,294
First and Third Laws of Motion
from 1687.
121
00:05:39,380 --> 00:05:40,840
BOTH: Hmm?
122
00:05:40,923 --> 00:05:42,175
(BOTH CLEARING THROAT)
123
00:05:43,384 --> 00:05:45,928
(CLEARING THROAT LOUDER)
124
00:05:51,851 --> 00:05:52,935
BOTH: Hmm.
125
00:05:53,019 --> 00:05:56,397
Like, excuse me,
but we can't see Archie.
126
00:05:56,481 --> 00:05:57,523
(WHIMPERING)
127
00:06:01,319 --> 00:06:03,196
-Now, we can.
-Run!
128
00:06:03,279 --> 00:06:04,697
(SCREAMING)
129
00:06:13,790 --> 00:06:15,041
(LAUGHING)
130
00:06:17,960 --> 00:06:21,380
DAPHNE: We are now entering
Fletcher Studios'
film archive room.
131
00:06:21,464 --> 00:06:24,801
This is where people archive
132
00:06:24,884 --> 00:06:26,928
film in a room?
133
00:06:29,514 --> 00:06:30,556
(BOTH SCREAM)
134
00:06:32,016 --> 00:06:33,643
Uh, hi.
135
00:06:33,726 --> 00:06:37,814
Are we interrupting
something weird?
136
00:06:37,897 --> 00:06:40,608
Who are you? Friends of yours?
137
00:06:40,691 --> 00:06:42,985
We're, uh... We're just
looking into these stories
138
00:06:43,069 --> 00:06:44,695
about the ghost
of Archie Barnes?
139
00:06:44,779 --> 00:06:47,198
They're not stories.
It really happened.
140
00:06:47,281 --> 00:06:48,991
We were there.
141
00:06:49,075 --> 00:06:51,619
He attacked me
because he doesn't want anyone
to see that film.
142
00:06:51,702 --> 00:06:53,079
It's cursed.
143
00:06:53,162 --> 00:06:54,997
Ray Fletcher, the studio head,
insisted I transfer
144
00:06:55,081 --> 00:06:56,999
this footage
so he could finish that film
145
00:06:57,083 --> 00:06:58,543
and finally share it
with the world.
146
00:06:58,626 --> 00:07:01,170
But I say anyone foolish
enough to watch that movie
147
00:07:01,254 --> 00:07:03,005
gets what they deserve. Right?
148
00:07:03,548 --> 00:07:04,882
See?
149
00:07:04,966 --> 00:07:07,051
Yeah.
150
00:07:07,135 --> 00:07:09,345
So, where did you
find the film to begin with?
151
00:07:09,428 --> 00:07:12,014
We discovered this trunk
in the old prop warehouse.
152
00:07:12,098 --> 00:07:14,684
Inside is what Archie left
in his office when he quit.
153
00:07:14,767 --> 00:07:16,602
Including his last
damaged film.
154
00:07:21,691 --> 00:07:23,693
FRED: This must be
Archie's notebook.
155
00:07:23,776 --> 00:07:26,904
It shows, in his own hand,
how he worked out the stunts
and visual effects
156
00:07:26,988 --> 00:07:28,197
for all his films.
157
00:07:28,281 --> 00:07:30,032
Amazing, isn't it?
158
00:07:30,116 --> 00:07:33,327
You may be a violent
monster, Archie,
but you're also a genius.
159
00:07:34,495 --> 00:07:36,831
You take that back. (GRUNTS)
160
00:07:36,914 --> 00:07:39,500
And if you look
to your right... Wow!
161
00:07:39,584 --> 00:07:41,419
Uh, actually, no.
Don't look to your right.
162
00:07:41,502 --> 00:07:43,671
Uh, Film Archive tour is over!
163
00:07:45,464 --> 00:07:47,383
And now, we come to the part
of our tour
164
00:07:47,466 --> 00:07:49,177
where we collide
with our friends.
165
00:07:49,260 --> 00:07:50,845
(ALL GRUNTING)
166
00:07:50,928 --> 00:07:52,388
What happened to you guys?
167
00:07:52,471 --> 00:07:53,973
Like, we saw
an Archie Barnes movie
168
00:07:54,056 --> 00:07:55,224
followed by the sequel,
169
00:07:55,308 --> 00:07:58,060
Archie Barnes 2
Horrifying Ghost Attack.
170
00:07:58,144 --> 00:08:00,730
They ruined the franchise.
171
00:08:00,813 --> 00:08:03,107
I've studied Archie Barnes
and I gotta say
172
00:08:03,191 --> 00:08:06,569
the ghost looked,
moved and didn't talk
just like him.
173
00:08:06,652 --> 00:08:08,237
-Hmm.
-(RATTLING)
174
00:08:08,905 --> 00:08:09,906
Hmm?
175
00:08:15,244 --> 00:08:16,412
Hey, watch out!
176
00:08:19,790 --> 00:08:21,125
(PIANO KEYS
POUNDING DISCORDANTLY)
177
00:08:22,001 --> 00:08:24,003
That was close.
178
00:08:24,086 --> 00:08:27,882
Lucky for you, I've developed
an almost superhuman awareness
of my surroundings.
179
00:08:27,965 --> 00:08:29,091
DIRECTOR: Cut!
180
00:08:29,175 --> 00:08:30,843
CREW MEMBER: Man,
that was the 80th take!
181
00:08:32,011 --> 00:08:34,764
(LAUGHING) Get off me. Novice.
182
00:08:34,847 --> 00:08:37,099
Who are you supposed to be?
Super ascot man?
183
00:08:37,183 --> 00:08:38,935
Is this another
Ray Fletcher rewrite?
184
00:08:39,018 --> 00:08:40,937
-Ray Fletcher?
-Yeah.
185
00:08:41,020 --> 00:08:43,606
As in Fletcher Studios.
The guy who owns this place
and whose bright ideas
186
00:08:43,689 --> 00:08:45,233
are currently ruining
my movie.
187
00:08:45,316 --> 00:08:47,902
I'm sorry. I saw the woman
and the piano and...
188
00:08:47,985 --> 00:08:51,530
(GROANS) Someone get me Ray
on the phone.
And where's my latte?
189
00:08:51,614 --> 00:08:55,368
And there, storming away,
is up-and-coming director
Lori Logan,
190
00:08:55,451 --> 00:08:58,162
in front of whom
Fred just humiliated himself.
191
00:08:58,246 --> 00:08:59,747
-She must be directing...
-Badly.
192
00:08:59,830 --> 00:09:01,624
She must be directing
the new scenes for Archie's
193
00:09:01,707 --> 00:09:03,459
unfinished film,
Road Tripping.
194
00:09:03,543 --> 00:09:06,045
You know,
they recovered that film
in the old prop warehouse.
195
00:09:06,128 --> 00:09:07,713
Let's check it out for clues.
196
00:09:13,177 --> 00:09:19,308
VELMA: Amazing! These props
and sets go back to the golden
age of silent movies.
197
00:09:19,392 --> 00:09:20,643
Hmm.
198
00:09:20,726 --> 00:09:22,144
May I direct your attention
to the way
199
00:09:22,228 --> 00:09:24,355
they treat these gorgeous
old costumes?
200
00:09:24,438 --> 00:09:26,440
Looks like
my high school bedroom.
201
00:09:26,524 --> 00:09:28,067
(ALL GASPING)
202
00:09:28,150 --> 00:09:30,403
And now, we come
to the screamy part
of the tour.
203
00:09:30,486 --> 00:09:31,696
(SCREAMING)
204
00:09:35,491 --> 00:09:36,617
Run!
205
00:09:39,662 --> 00:09:40,705
(SCREAMING)
206
00:09:41,497 --> 00:09:42,707
SCOOBY-DOO: Shaggy!
207
00:09:49,588 --> 00:09:50,756
Whoa!
208
00:09:52,967 --> 00:09:54,010
(SHAGGY YELPS)
209
00:09:54,093 --> 00:09:55,720
(WHIMPERING)
210
00:09:57,263 --> 00:09:58,681
SHAGGY: Cut!
211
00:09:58,764 --> 00:10:00,683
Like, this is not how we
rehearsed this scene, Archie.
212
00:10:00,766 --> 00:10:04,770
Decades of lifelessness
is no excuse for a lack
of professionalism.
213
00:10:04,854 --> 00:10:09,025
Script! It's simple.
Your character is a pharaoh,
groom, ballerina,
214
00:10:09,108 --> 00:10:11,736
baseball player,
Arctic-explorer carrot
215
00:10:11,819 --> 00:10:16,198
who's come to jail
on the moon
in a pet store
216
00:10:16,282 --> 00:10:17,992
in the middle of the ocean
217
00:10:18,075 --> 00:10:21,829
in a log cabin
in a dentist office
218
00:10:21,912 --> 00:10:27,460
to confront,
the reverse mermaid, judge,
ancient Roman cowboy
219
00:10:27,543 --> 00:10:29,295
who has stolen your...
220
00:10:29,378 --> 00:10:30,463
Grape!
221
00:10:30,546 --> 00:10:33,049
See! A story as old
as time itself.
222
00:10:33,132 --> 00:10:37,386
Now, let's see your,
"I'm so angry without
my grape," face.
223
00:10:38,637 --> 00:10:40,556
Now that is what I call,
grape anger.
224
00:10:40,639 --> 00:10:44,727
Okay, everyone,
let's try this again.
From the beginning.
225
00:10:44,810 --> 00:10:46,812
You go backstage
and wait for your cue,
which is,
226
00:10:46,896 --> 00:10:49,398
"Quick, let's get out of here
before he figures out
this whole thing
227
00:10:49,482 --> 00:10:51,567
"has been a ruse
to allow us to escape."
228
00:10:51,650 --> 00:10:52,693
(SHAGGY YELLS)
229
00:10:58,783 --> 00:10:59,825
(INAUDIBLE)
230
00:11:02,370 --> 00:11:04,413
(PANTING)
231
00:11:04,497 --> 00:11:07,708
DAPHNE: And if you look
to your left,
you can't see us.
232
00:11:07,792 --> 00:11:10,628
-(BOTH GASPING)
-Like, don't do that.
233
00:11:10,711 --> 00:11:12,588
(WHINES) I lost the grape.
234
00:11:12,671 --> 00:11:16,884
Guys, keep it down.
I don't think we're allowed
to be here after hours.
235
00:11:16,967 --> 00:11:19,220
The last thing we need
is for someone to ask us...
236
00:11:19,303 --> 00:11:20,721
Who are you
and what are you doing here?
237
00:11:20,805 --> 00:11:23,015
Now, this is a special treat!
238
00:11:23,099 --> 00:11:25,184
Standing right in front of us
is Ray Fletcher,
239
00:11:25,267 --> 00:11:29,271
the owner
of Fletcher Studios, and...
240
00:11:29,355 --> 00:11:31,732
Uh, this is Charlie Dairy,
my right hand.
241
00:11:31,816 --> 00:11:35,319
And Charlie Dairy,
which is a special treat
for our right hands.
242
00:11:35,403 --> 00:11:38,322
We heard you found
Archie Barnes' legendary
last film.
243
00:11:38,406 --> 00:11:40,950
I'm on my way
to the editorial building
to see it now.
244
00:11:41,033 --> 00:11:42,701
I think it could be
our next big hit.
245
00:11:42,785 --> 00:11:47,164
Of course, we had no choice
but to give it some updates.
246
00:11:47,248 --> 00:11:50,084
Uh, Ray, we really
should check in
with Lori Logan first.
247
00:11:50,167 --> 00:11:52,086
She's having some issues
with those
248
00:11:52,169 --> 00:11:53,963
updates you've requested.
249
00:11:54,046 --> 00:11:56,882
Oh, she's impossible.
It's nothing we can't fix
by adding a few...
250
00:11:56,966 --> 00:11:59,510
Uh, what's those things
that kids are into these days?
251
00:11:59,593 --> 00:12:01,262
Health, hope
and a secure future?
252
00:12:01,345 --> 00:12:03,973
Education,
environmental solutions, love?
253
00:12:04,056 --> 00:12:06,684
No, those remote
whirly-gig things!
254
00:12:06,767 --> 00:12:09,895
-Quadcopters.
-Quadcopters, exactly!
255
00:12:09,979 --> 00:12:11,480
The grandkids love them!
256
00:12:11,564 --> 00:12:13,482
(IMITATES WHIRRING)
257
00:12:14,525 --> 00:12:17,194
(LAUGHS)
You kids enjoy the tour.
258
00:12:17,278 --> 00:12:18,404
(CHUCKLES)
259
00:12:18,487 --> 00:12:20,072
Wow, Ray and Lori
are really at odds
260
00:12:20,156 --> 00:12:21,866
on how to handle
Archie's last movie.
261
00:12:21,949 --> 00:12:24,493
I wonder what other
modernizations
he's trying to make.
262
00:12:24,577 --> 00:12:26,662
There's only one way
to find out.
263
00:12:29,039 --> 00:12:31,459
We are now
in the editorial building.
264
00:12:31,542 --> 00:12:33,294
On your left and right,
265
00:12:33,377 --> 00:12:34,712
are all the possible
screening rooms,
that might be showing
266
00:12:34,795 --> 00:12:35,880
Archie's last movie.
267
00:12:36,755 --> 00:12:37,798
(TAPPING)
268
00:12:37,882 --> 00:12:39,550
I think I hear something
in this one.
269
00:12:41,427 --> 00:12:44,513
Ray, this is Archie Barnes'
final masterpiece.
270
00:12:44,597 --> 00:12:46,515
All this stuff you're adding
just kills it.
271
00:12:46,599 --> 00:12:49,143
What are you talking about?
Kids are gonna love it.
272
00:12:49,226 --> 00:12:51,020
If we ever finish it.
273
00:12:51,103 --> 00:12:53,022
Now there's rumors
that Archie's ghost
is haunting the production.
274
00:12:53,105 --> 00:12:55,524
He always did have to be
the center of attention.
275
00:12:55,608 --> 00:12:56,775
Psst!
276
00:12:56,859 --> 00:12:58,861
I think this
is the Road Tripping edit bay.
277
00:12:58,944 --> 00:13:00,571
I bet we can see it in here.
278
00:13:03,741 --> 00:13:07,411
Russ, the archivist,
said he sent Ray
a digital copy of the film.
279
00:13:07,495 --> 00:13:09,205
Ha! There.
280
00:13:09,288 --> 00:13:11,582
FRED: "Road Tripping
Cursed Version slash
You're All Doomed."
281
00:13:11,665 --> 00:13:12,708
That must be it.
282
00:13:12,791 --> 00:13:14,877
Got it. Opening file...
283
00:13:14,960 --> 00:13:16,378
(SLURPING NOISES)
284
00:13:16,462 --> 00:13:19,089
It's in our contracts.
285
00:13:19,173 --> 00:13:21,842
We're about to become
the first people in history
286
00:13:21,926 --> 00:13:23,928
to watch Archie Barnes'
last movie
287
00:13:24,011 --> 00:13:26,931
and supposed masterpiece,
Road Tripping.
288
00:13:30,935 --> 00:13:33,896
Okay, I just felt
the pilomotor reflex.
289
00:13:34,605 --> 00:13:35,648
Goosebumps.
290
00:13:35,731 --> 00:13:37,608
(MUSIC PLAYING ON COMPUTER)
291
00:13:41,237 --> 00:13:42,530
(INAUDIBLE)
292
00:13:44,490 --> 00:13:46,075
So far, so good.
293
00:13:47,826 --> 00:13:48,869
(EXPLOSION)
294
00:13:49,870 --> 00:13:50,913
(INAUDIBLE)
295
00:14:01,757 --> 00:14:03,342
(ELECTRONIC MUSIC PLAYING)
296
00:14:24,530 --> 00:14:28,450
Uh, okay. Now I just felt
the gag reflex.
297
00:14:28,534 --> 00:14:31,287
Like, that was
298
00:14:32,037 --> 00:14:32,955
awesome!
299
00:14:33,038 --> 00:14:34,957
Still needs some quadcopters.
300
00:14:35,040 --> 00:14:36,041
Hmm?
301
00:14:38,002 --> 00:14:40,296
-(WHINING)
-I know, Scoob, quadcopters!
302
00:14:40,379 --> 00:14:42,631
But otherwise,
I think it's his best work.
303
00:14:42,715 --> 00:14:44,967
Great, tell him that.
304
00:14:45,050 --> 00:14:46,468
(SCREAMING)
305
00:14:49,221 --> 00:14:50,180
Run!
306
00:14:50,264 --> 00:14:51,599
(PUNK ROCK MUSIC)
307
00:14:51,682 --> 00:14:54,268
♪ Two, three, four
308
00:14:54,351 --> 00:14:56,478
♪ Two, three, four
309
00:14:56,562 --> 00:14:57,813
(TIRES SCREECHING)
310
00:14:59,106 --> 00:15:00,524
♪ Two, three, four
311
00:15:11,118 --> 00:15:13,621
♪ Left all away
312
00:15:13,704 --> 00:15:16,206
♪ Been here for too long
313
00:15:16,290 --> 00:15:18,250
♪ We ain't gonna stand for it
314
00:15:18,334 --> 00:15:20,628
♪ Baby, now
315
00:15:20,711 --> 00:15:21,754
Cut!
316
00:15:21,837 --> 00:15:24,798
♪ A rags to riches story
317
00:15:24,882 --> 00:15:26,634
♪ I don't have to worry
318
00:15:26,717 --> 00:15:29,303
♪ A rags to riches story
319
00:15:29,386 --> 00:15:31,805
♪ I don't have to worry
320
00:15:32,806 --> 00:15:35,476
♪ I don't have to worry
321
00:15:42,316 --> 00:15:43,901
♪ Two, three, four
322
00:15:51,617 --> 00:15:54,244
♪ A rags to riches story
323
00:15:54,328 --> 00:15:56,872
♪ I don't have to worry
324
00:15:56,955 --> 00:15:59,583
♪ A rags to riches story
325
00:15:59,667 --> 00:16:02,670
♪ On your path to glory
326
00:16:02,753 --> 00:16:04,838
♪ Path to glory
327
00:16:04,922 --> 00:16:06,840
♪ Hey, hey, hey ♪
328
00:16:07,966 --> 00:16:08,967
(THUDS)
329
00:16:11,804 --> 00:16:16,058
Like, great, isn't this
the set of that sitcom,
Monkey Gets a Show Now
330
00:16:16,141 --> 00:16:17,559
that just got canceled?
331
00:16:17,643 --> 00:16:20,646
Yeah, it looks like this
mystery just got
canceled as well.
332
00:16:20,729 --> 00:16:24,900
Sorry, gang, we started out
in an exciting action
adventure mystery
333
00:16:24,983 --> 00:16:27,861
and ended up in a failed
situation comedy.
334
00:16:27,945 --> 00:16:30,656
(CANNED LAUGHTER PLAYING)
335
00:16:33,659 --> 00:16:35,411
(AUDIENCE GASPING)
336
00:16:35,494 --> 00:16:37,996
I can't believe it.
Once that movie gets out,
337
00:16:38,080 --> 00:16:40,916
this historic studio
will go down the drain.
338
00:16:40,999 --> 00:16:44,253
Along with the reputation
of the great Archie Barnes.
339
00:16:44,336 --> 00:16:46,171
Well, you gotta give Archie
credit for going
340
00:16:46,255 --> 00:16:49,299
to such great lengths
to prevent that movie
from coming out.
341
00:16:49,383 --> 00:16:52,302
After all,
your reputation outlives you.
342
00:16:52,386 --> 00:16:55,472
I can only hope, one day,
people look back at me
and say...
343
00:16:55,556 --> 00:16:59,184
Wait, Daphne. That's it.
That's the key
to this mystery.
344
00:16:59,268 --> 00:17:00,936
ALL: Huh?
345
00:17:01,019 --> 00:17:03,439
Fred, you're right!
We've been looking
in the wrong direction
346
00:17:03,522 --> 00:17:06,316
-the whole time.
-Hmm...
347
00:17:06,400 --> 00:17:09,028
Hey, what do you want from me?
It was my first tour.
348
00:17:09,111 --> 00:17:11,447
Gang, this mystery isn't
wrapped yet.
349
00:17:11,530 --> 00:17:13,490
We have a ghost to catch.
350
00:17:13,574 --> 00:17:15,951
Ladies and gentlemen,
fasten your seatbelts.
351
00:17:16,034 --> 00:17:18,287
We're about to enter,
The Trap.
352
00:17:24,126 --> 00:17:28,464
Wow, I can't believe we get
to watch the never before seen
Archie Barnes film.
353
00:17:28,547 --> 00:17:29,965
It was worth the wait.
354
00:17:41,059 --> 00:17:44,062
-Excuse us. Excuse us.
-Pardon us. Pardon us.
355
00:17:46,565 --> 00:17:47,816
(FANFARE PLAYING)
356
00:17:50,736 --> 00:17:52,196
(MUNCHING)
357
00:17:57,868 --> 00:17:58,869
BOTH: Hmm?
358
00:18:02,414 --> 00:18:05,876
Like, I guess he doesn't like
what they've done
with this movie, either.
359
00:18:05,959 --> 00:18:07,920
Attacking
is a valid criticism.
360
00:18:15,177 --> 00:18:16,178
(YELPS)
361
00:18:17,930 --> 00:18:19,139
(WHIMPERING)
362
00:18:22,267 --> 00:18:23,310
(SCREAMING)
363
00:18:25,312 --> 00:18:28,524
Come on, Archie.
Your calculations
have to be perfect.
364
00:18:28,607 --> 00:18:29,691
I have faith in you.
365
00:18:31,860 --> 00:18:33,487
Almost there.
366
00:18:35,280 --> 00:18:36,657
(BOTH WHIMPERING)
367
00:18:38,951 --> 00:18:39,952
BOTH: Now!
368
00:18:43,455 --> 00:18:44,498
(GRUNTING)
369
00:18:54,007 --> 00:18:56,718
Mathematical precision,
physics and timing.
370
00:18:56,802 --> 00:18:58,720
Way to go, Archie!
371
00:18:58,804 --> 00:19:00,556
Can we open our eyes yet?
372
00:19:00,639 --> 00:19:01,807
Was it funny?
373
00:19:04,935 --> 00:19:06,103
So I've been meaning to ask,
374
00:19:06,186 --> 00:19:08,146
how is it
handcuffs work on ghosts?
375
00:19:08,230 --> 00:19:10,732
Good question,
if it was a ghost.
376
00:19:12,025 --> 00:19:14,111
ALL: Lori Logan?
377
00:19:14,194 --> 00:19:15,320
Lori, what is this?
378
00:19:15,404 --> 00:19:17,739
Are you pitching
an Archie Barnes biopic?
379
00:19:17,823 --> 00:19:19,783
No, but as an aside,
380
00:19:19,867 --> 00:19:21,326
I'd see that movie.
381
00:19:23,370 --> 00:19:25,414
Lori Logan is a talented
young director
382
00:19:25,497 --> 00:19:27,416
with a reputation
for quality movies.
383
00:19:27,499 --> 00:19:30,168
Being an Archie Barnes fan,
she was thrilled to be chosen
384
00:19:30,252 --> 00:19:31,503
to complete his final film.
385
00:19:31,587 --> 00:19:33,755
But Ray Fletcher got
too involved,
386
00:19:33,839 --> 00:19:35,549
forcing his ideas
into her movie.
387
00:19:35,632 --> 00:19:37,801
She thought the film would
be the end of her career.
388
00:19:37,885 --> 00:19:41,346
VELMA: Lori knew the legend
of Frank Fletcher ruining
Archie's last film.
389
00:19:41,430 --> 00:19:43,807
She could relate a little
too much.
390
00:19:43,891 --> 00:19:45,976
Lori decided to use
his legend to make sure
391
00:19:46,059 --> 00:19:47,978
her movie never saw
the light of day,
392
00:19:48,061 --> 00:19:51,648
even if it meant ruining
Fletcher Studios
in the process.
393
00:19:51,732 --> 00:19:54,109
DAPHNE: Archie's film
was found
in the prop warehouse
394
00:19:54,192 --> 00:19:56,612
where Lori also found
Archie's trademark costume
395
00:19:56,695 --> 00:20:00,198
and where we found evidence
someone had rifled through
the wardrobe trunks.
396
00:20:00,282 --> 00:20:03,493
But it takes more
than clothes to make a man
like Archie Barnes.
397
00:20:03,577 --> 00:20:07,080
VELMA: To be believable,
Lori had to do
physical comedy stunts.
398
00:20:07,164 --> 00:20:09,625
That's why she chased Russ
out of the archive room.
399
00:20:09,708 --> 00:20:12,961
We assumed it was
Archie's revenge
for restoring his film.
400
00:20:13,045 --> 00:20:15,672
But really, Lori wanted
to see Archie's notebook
401
00:20:15,756 --> 00:20:17,799
to learn
how he did his stunts.
402
00:20:17,883 --> 00:20:21,720
At first, we thought the ghost
was connected to the discovery
of Archie's film.
403
00:20:21,803 --> 00:20:25,474
When Daphne mentioned how far
Archie went to make sure
his studio-tampered film
404
00:20:25,557 --> 00:20:26,683
would never be seen,
405
00:20:26,767 --> 00:20:28,644
we were reminded
of another director
406
00:20:28,727 --> 00:20:30,687
who was in the same situation.
407
00:20:30,771 --> 00:20:33,482
The only way to be sure
was to do the very thing
Lori was trying to avoid.
408
00:20:33,565 --> 00:20:35,567
Show people her movie.
409
00:20:35,651 --> 00:20:37,653
Ironically,
thanks to Archie Barnes
410
00:20:37,736 --> 00:20:39,279
and his scientific approach
to humor,
411
00:20:39,363 --> 00:20:41,907
we were able to catch
Lori in the act.
412
00:20:41,990 --> 00:20:43,825
My film would
have been great too,
413
00:20:43,909 --> 00:20:45,869
if it wasn't for you
meddling with it.
414
00:20:45,953 --> 00:20:49,498
And if you take a look
to your future, jail.
415
00:20:49,581 --> 00:20:52,125
Thank you, kids. You know,
I should have learned from
416
00:20:52,209 --> 00:20:53,335
my grandfather's mistakes,
417
00:20:53,418 --> 00:20:54,461
instead of repeating them.
418
00:20:54,544 --> 00:20:55,879
How can I ever repay you?
419
00:20:55,963 --> 00:20:59,007
Actually, I'd love to study
Archie's notebook.
420
00:20:59,091 --> 00:21:00,217
May I borrow it?
421
00:21:00,300 --> 00:21:01,718
As long as
I am still in charge
422
00:21:01,802 --> 00:21:04,346
of making horrible decisions,
you can have it.
423
00:21:04,429 --> 00:21:06,264
Thank you, Mr. Fletcher.
424
00:21:06,348 --> 00:21:10,352
Velma, I apologize
for what I said about you
not appreciating comedy.
425
00:21:10,435 --> 00:21:12,688
I see now
by totally disengaging
from it
426
00:21:12,771 --> 00:21:14,606
on an emotional
and visceral level
427
00:21:14,690 --> 00:21:16,358
and breaking it down
scientifically,
428
00:21:16,441 --> 00:21:18,568
until all the life
has been sucked out of it,
429
00:21:18,652 --> 00:21:20,404
you understand
what's funny on a level
430
00:21:20,487 --> 00:21:22,698
the rest of us
aren't even capable of.
431
00:21:22,781 --> 00:21:24,616
Is that a joke?
432
00:21:24,700 --> 00:21:25,742
You tell me.